It was a reasonably darn quiet weekend on the field workplace as most studios seemingly wished to both A) keep away from competing with the election or B) anticipate greener postures provided by the upcoming Thanksgiving vacation window. Both method, it created a state of affairs the place Sony’s “Venom: The Final Dance” was simply in a position to high the charts once more with a comparatively stable $26.1 million estimated second weekend haul. That is good for the studio within the quick run. In the long term? It presents Sony with a quandary that they are in all probability going to wish to handle sooner fairly than later.
As of this writing, director Kelly Marcel’s “The Final Dance” has pulled in $90 million domestically to go along with an outsized $227 million internationally for a operating complete of $317 million worldwide. After two weekends in theaters, that is not dangerous for a film with an inexpensive $120 million finances. “Cheap” is a relative time period on this area, since comedian ebook motion pictures frequently price $200 million today. Sony was accountable, although, which can permit this movie to revenue despite the fact that it should make far lower than 2018’s “Venom” ($856 million worldwide) and fewer than 2021’s “Venom: Let There Be Carnage.”
That is an odd state of affairs. On one hand, “Venom 3” was seen as a relative disappointment after it opened to simply $51 million domestically. That was far lower than the earlier two entries within the franchise, as audiences appeared to have grown a bit bored with Tom Hardy’s Eddie Brock and the bromance he is developed with the Venom symbiote. There isn’t a future for the franchise past this movie, which was billed as the top of the trilogy.
On the similar time, this nonetheless represents the second-biggest opening for a superhero film in 2024, past solely “Deadpool & Wolverine” ($211 million). We’re nonetheless speaking a couple of film that’s virtually definitely going to make $400 million worldwide, one thing solely eight motion pictures have executed in 2024 to this point. That is additionally going to be one of many least expensive motion pictures to cross that threshold when it does occur.
What does Sony do with the Spider-Man franchise from right here?
Within the quick run, Sony will get successful film that may earn a living, even when it is solely as a result of worldwide audiences are turning out in a lot bigger numbers than these in North America. In the long term, the studio now must try to determine what to do with the “Spider-Man” franchise past the Tom Holland movies, which nonetheless exist firmly within the Marvel Cinematic Universe. “Venom” and these different spin-offs occupy a unique universe, and that universe has seemingly all however run its course.
“Morbius” bombed in 2022. “Madame Internet” bombed badly earlier this 12 months as effectively, suggesting different such future spin-offs ought to in all probability be scrapped. Outdoors of the animated “Spider-Verse” movies, “Venom” is the one spin-off Sony has tried that is labored. For probably the most half, if Spider-Man is not immediately concerned, the studio has a tough time turning Spidey’s supporting characters into important characters.
As of proper now, the one different live-action spin-off Sony has on the books is the R-rated, bloody “Kraven the Hunter,” which hits theaters subsequent month. On the animated facet, the studio additionally has “Spider-Man: Past the Spider-Verse,” which stays with no launch date. The purpose is, Sony appears to know these spin-offs aren’t working they usually appear to have hit the pause button in the meanwhile. That is good! Nonetheless, the field workplace returns posted by “The Final Dance” complicate issues.
Are these numbers adequate to encourage Sony to strive one thing comparable with completely different characters? Do they attempt to spin-off different characters within the “Venom” universe with out Hardy concerned? Do they fight for a reboot of “Venom” in just a few years whereas using the highs of Holland’s “Spider-Man” movies? Are they going to try to get that long-gestating “Sinister Six” film going once more? There are questions with no good solutions. All of those choices are dangerous. All of them are profit-motivated, fairly than creatively pushed — however that is the purpose.
Sony stands to make some huge cash when these things works. Relaxation assured, they will proceed to try to exploit the Marvel rights they management. Sadly, this trilogy-capper’s relative success has sophisticated how greatest to method that exploitation.
“Venom: The Final Dance” is in theaters now.